
The Elegant Universe: Part 2
Season 30 Episode 13 | 52m 56sVideo has Closed Captions
Do miniscule vibrating strands of energy hold the key to a unified theory of physics?
Brian Greene delves into the nuts, bolts, and outright nuttiness of string theory. Part 2, "String's the Thing," opens with a whimsical scene in a movie theater in which the history of the universe runs backwards to the Big Bang, the moment at which general relativity and quantum mechanics both came into play, and therefore the point at which our conventional model of reality breaks down.
Funding for NOVA is provided by David H. Koch, the Corporation for Public Broadcasting and PBS viewers. Original funding provided by Microsoft, Sprint, the Park Foundation, the National Science Foundation,...

The Elegant Universe: Part 2
Season 30 Episode 13 | 52m 56sVideo has Closed Captions
Brian Greene delves into the nuts, bolts, and outright nuttiness of string theory. Part 2, "String's the Thing," opens with a whimsical scene in a movie theater in which the history of the universe runs backwards to the Big Bang, the moment at which general relativity and quantum mechanics both came into play, and therefore the point at which our conventional model of reality breaks down.
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Learn Moreabout PBS online sponsorshipNARRATOR: Now on NOVA, take a thrill ride into a world stranger than science fiction, where you play the game by breaking some rules, where a new view of the universe pushes you beyond the limits of your wildest imagination.
This is the world of string theory, a way of describing every force and all matter, from an atom to Earth to the end of the galaxies, from the birth of time to its final tick, in a single theory-- a theory of everything.
Our guide to this brave new world is Brian Greene, the best-selling author and physicist.
GREENE: And no matter how many times I come here, I never seem to get used to it.
NARRATOR: Can he help us solve the greatest puzzle of modern physics?
(thunder crashing) That our understanding of the universe is based on two sets of laws that don't agree.
MAN: What the hell are you doing?!
(crash) NARRATOR: Resolving that contradiction eluded even Einstein, who made it his final quest.
After decades, we may finally be on the verge of a breakthrough.
The solution is... strings-- tiny bits of energy vibrating like the strings on a cello, a cosmic symphony at the heart of all reality.
But it comes at a price-- parallel universes and 11 dimensions, most of which you've never seen.
We really may live in a universe with more dimensions than meet the eye.
WOMAN: People who've said that there are extra dimensions of space have been labeled crackpots or people who are bananas.
NARRATOR: A mirage of science and mathematics, or the ultimate theory of everything?
MAN: If string theory fails to provide a testable prediction, then nobody should believe it.
Is that a theory of physics or a philosophy?
One thing that is certain... GREENE: Is that string theory is already showing us that the universe may be a lot stranger than any of us ever imagined.
NARRATOR: Coming up tonight... We accidentally discovered string theory.
NARRATOR: The humble beginnings of a revolutionary idea.
MAN: I was completely convinced it was going to say, "Susskind is the next Einstein."
This seemed crazy to people.
I was depressed, I was unhappy.
The result was I went home and got drunk.
NARRATOR: Obsession drives scientists to pursue the Holy Grail of physics, but are they ready for what they discover?
Step into the bizarre world of "The Elegant Universe," right now.
Major funding for NOVA is provided by the following: GREENE: It's a little-known secret, but for more than half a century a dark cloud has been looming over modern science.
Here's the problem.
Our understanding of the universe is based on two separate theories.
One is Einstein's general theory of relativity.
That's a way of understanding the biggest things in the universe-- things like stars and galaxies.
But the littlest things in the universe-- atoms and subatomic particles-- play by an entirely different set of rules called quantum mechanics.
These two sets of rules are each incredibly accurate in their own domain, but whenever we try to combine them to solve some of the deepest mysteries in the universe, disaster strikes.
Take the beginning of the universe, the Big Bang.
(explosion reverberates) At that instant, a tiny nugget erupted violently.
Over the next 14 billion years, the universe expanded and cooled into the stars, galaxies and planets we see today.
But if we run the cosmic film in reverse, everything that's now rushing apart comes back together.
So the universe gets smaller, hotter and denser as we head back to the beginning of time.
As we reach the Big Bang-- when the universe was both enormously heavy and incredibly tiny-- our projector jams.
Our two laws of physics, when combined, break down.
But what if we could unite quantum mechanics and general relativity and see the cosmic film in its entirety?
Well, a new set of ideas called string theory may be able to do that, and if it's right, it would be one of the biggest blockbusters in the history of science.
Someday, string theory may be able to explain all of nature-- from the tiniest bits of matter to the farthest reaches of the cosmos-- using just one single ingredient: tiny, vibrating strands of energy, called "strings."
But why do we have to rewrite the laws of physics to accomplish this?
Why does it matter if the two laws that we have are incompatible?
Well, you can think of it like this.
Imagine you lived in a city ruled not by one set of traffic laws, but by two separate sets of laws that conflicted with each other.
As you can see, it would be pretty confusing.
(horn honks, tires screech, vehicles crashing) MAN: What the heck are you doing?!
To understand this place, you'd need to find a way to put these two conflicting sets of laws together into one all-encompassing set that makes sense.
We work on the assumption that there is a theory out there and it's our job-- if we're sufficiently smart and sufficiently industrious-- to figure out what it is.
We don't have a guarantee, it isn't written in the stars that we're going to succeed, but in the end we hope we will have a single theory that governs everything.
GREENE: But before we can find that theory, we need to take a fantastic journey to see why the two sets of laws we have conflict with each other.
And the first stop on this strange trip is the realm of very large objects.
To describe the universe on large scales, we use one set of laws-- Einstein's general theory of relativity, and that's a theory of how gravity works.
General relativity pictures space as sort of like a trampoline, a smooth fabric that heavy objects like stars and planets can warp and stretch.
Now, according to the theory, these warps and curves create what we feel as gravity.
That is, the gravitational pull that keeps the earth in orbit around the sun is really nothing more than our planet following the curves and contours that the sun creates in the spatial fabric.
But the smooth, gently curving image of space predicted by the laws of general relativity is not the whole story.
To understand the universe on extremely small scales, we have to use our other set of laws-- quantum mechanics.
And as we'll see, quantum mechanics paints a picture of space so drastically different from general relativity that you'd think they were describing two completely separate universes.
To see the conflict between general relativity and quantum mechanics, we need to shrink way, way, way down in size.
And as we leave the world of large objects behind... and approach the microscopic realm, the familiar picture of space in which everything behaves predictably begins to be replaced by a world with a structure that is far less certain.
And if we keep shrinking, getting billions and billions of times smaller than even the tiniest bits of matter-- atoms and the tiny particles inside of them-- the laws of the very small, quantum mechanics, say that the fabric of space becomes bumpy and chaotic.
Eventually, we reach a world so turbulent that it defies common sense.
Down here, space and time are so twisted and distorted that the conventional ideas of left and right... up and down... (cuckoo clock chimes) even before and after, break down.
There's no way to tell for certain that I'm here... or here... (voice echoing): or both places at once.
Or maybe I arrived here... before I arrived here.
In the quantum world, you just can't pin everything down.
It's an inherently wild and frenetic place.
MAN: The laws in the quantum world are very different from the laws that we are used to.
And is that surprising?
Why should the world of the very small, at an atomic level... Why should that world obey the same kind of rules and laws that we are used to in our world with apples and oranges and walking around on the street?
Why would that world behave the same way?
GREENE: The fluctuating, jittery picture of space and time predicted by quantum mechanics is in direct conflict with the smooth, orderly, geometric model of space and time described by general relativity.
(elevator bell dings) But we think that everything-- from the frantic dance of subatomic particles to the majestic swirl of galaxies-- should be explained by just one grand physical principle, one master equation.
If we can find that equation, how the universe really works at every time and place will at last be revealed.
You see, what we need is a theory that can cope with the very tiny and the very massive-- one that embraces both quantum mechanics and general relativity and never breaks down, ever.
For a physicist, finding a theory that unites general relativity and quantum mechanics is the Holy Grail, because that framework would give us a single mathematical theory that describes all the forces that rule our universe.
General relativity describes the most familiar of those forces-- gravity.
But quantum mechanics describes three other forces.
The strong nuclear force.
That's responsible for gluing protons and neutrons together inside of atoms.
Electromagnetism... which produces light, electricity and magnetic attraction.
And the weak nuclear force.
That's the force responsible for radioactive decay.
Every event in the universe, from the splitting of an atom to the birth of a star, is nothing more than these four forces interacting with matter.
Albert Einstein spent the last 30 years of his life searching for a way to describe the forces of nature in a single theory.
And now string theory may fulfill his dream of unification.
For centuries, scientists have pictured the fundamental ingredients of nature-- atoms and the smaller particles inside of them-- as tiny balls or points.
But string theory proclaims that at the heart of every bit of matter is a tiny, vibrating strand of energy, called a string.
And a new breed of scientist believes these minuscule strings are the key to uniting the world of the large and the world of the small in a single theory.
The idea that a scientific theory that we already have in our hands could answer the most basic questions is extremely seductive.
For about 2,000 years, all of our physics, essentially, has been based on...
Essentially we were talking about billiard balls.
The very idea of the string is such a paradigm shift, because instead of billiard balls, you have to use little strands of spaghetti.
GREENE: But not everyone is enamored of this new theory.
So far no experiment has been devised that can prove these tiny strings exist.
Let me put it bluntly: There are physicists and there are string theorists.
It is a new discipline, a new, you may call it, tumor.
You can call it what you will.
They have focused on questions which experiment cannot address.
They will deny that-- these string theorists-- but it's a kind of physics which is not yet testable.
It does not make predictions that have anything to do with experiments that could be done in the laboratory or with observations that could be made in space or from telescopes.
And I was brought up to believe, and I still believe, that physics is an experimental science.
It deals with the results to experiments or, in the case of astronomy, observations.
From the start, many scientists thought string theory was simply too far out.
And, frankly, the strange way the theory evolved in a series of twists, turns and accidents only made it seem more unlikely.
In fact even its birth has been turned into something of a myth, which goes like this.
In the late 1960s, a young Italian physicist named Gabriele Veneziano was searching for a set of equations that would explain the strong nuclear force-- the extremely powerful glue that holds the nucleus of every atom together, binding protons to neutrons.
As the story goes, he happened on a dusty book on the history of mathematics, and in it he found a 200-year-old equation, first written down by a Swiss mathematician, Leonhard Euler.
Veneziano was amazed to discover that Euler's equations, long thought to be nothing more than a mathematical curiosity, seemed to describe the strong force.
He quickly published a paper and was famous ever after for this accidental discovery.
I see occasionally written in books that, uh... that this model was invented by chance or was, uh, found in a math book, and, uh, this makes me feel pretty bad.
What is true is that the function was the outcome of a long year of work, and we accidentally discovered string theory.
GREENE: However it was discovered, Euler's equation, which miraculously explained the strong force, took on a life of its own.
This was the birth of string theory.
Passed from colleague to colleague, Euler's equation ended up on the chalkboard in front of a young American physicist, Leonard Susskind.
SUSSKIND: To this day I remember the formula.
The formula was... And I looked at it, and I said, "You know, this is so simple even I could figure out what this is."
GREENE: Susskind retreated to his attic to investigate.
He understood that this ancient formula described the strong force mathematically.
But beneath the abstract symbols, he had caught a glimpse of something new.
SUSSKIND: And I fiddled with it.
I monkeyed with it.
I sat in my attic, I think, for two months, on and off, but the first thing I could see in it, it was describing some kind of particles which had internal structure, which could vibrate, which could do things, which wasn't just a point particle.
And I began to realize what was being described here was a string-- an elastic string, like a rubber band or like a rubber band cut in half.
And this rubber band could not only stretch and contract but wiggle.
And marvel of marvels, it exactly agreed with this formula.
I was pretty sure at that time that I was the only one in the world who knew this.
GREENE: Susskind wrote up his discovery, introducing the revolutionary idea of strings.
But before his paper could be published, it had to be reviewed by a panel of experts.
SUSSKIND: I was completely convinced that when it came back, it was going to say, "Susskind is the next Einstein, or maybe even the next Newton."
And it came back saying, "Nah, this paper is not very good.
Probably shouldn't be published."
I was truly knocked off my chair.
I was depressed, I was unhappy.
I was saddened by it.
It made me a nervous wreck, and, uh, the result was I went home and got drunk.
GREENE: As Susskind drowned his sorrows over the rejection of his far-out idea, it appeared string theory was dead.
Meanwhile, mainstream science was embracing particles as points, not strings.
For decades, physicists had been exploring the behavior of microscopic particles by smashing them together at high speeds, and studying those collisions.
In the showers of particles produced, they were discovering that nature is far richer than they thought.
Once a month there'd be a discovery of a new particle-- the rho meson, the omega particle, the B particle, the B1 particle, the B2 particle, phi, omega.
More letters were used than exist in most alphabets.
It was a population explosion of particles.
It was a time when graduate students would run through the halls of a physics building and say, "They discovered another particle, and it fit the theories," and it was all so exciting.
GREENE: And in this zoo of new particles, scientists weren't just discovering building blocks of matter.
Leaving string theory in the dust, physicists made a startling and strange prediction-- that the forces of nature can also be explained by particles.
Now, this is a really weird idea, but it's kind of like a game of catch in which the players like me... And me are particles of matter.
GREENE: And the ball we're throwing back and forth is a particle of force.
It's called a messenger particle.
For example, in the case of magnetism-- the electromagnetic force-- this ball would be a photon.
The more of these messenger particles, or photons, that are exchanged between us, the stronger the magnetic attraction.
And scientists predicted that it's this exchange of messenger particles that creates what we feel as force.
Experiments confirmed these predictions with the discovery of the messenger particles for electromagnetism, the strong force and the weak force.
And using these newly discovered particles, scientists were closing in on Einstein's dream of unifying the forces.
Particle physicists reasoned that if we rewind the cosmic film to the moments just after the Big Bang-- some 14 billion years ago when the universe was trillions of degrees hotter-- the messenger particles for electromagnetism and the weak force would have been indistinguishable.
Just as cubes of ice melt into water in the hot sun, experiments show that as we rewind to the extremely hot conditions of the Big Bang, the weak and electromagnetic forces meld together and unite into a single force, called the electroweak.
And physicists believe that if you roll the cosmic film back even further, the electroweak would unite with the strong force in one grand superforce.
Although that has yet to be proven, quantum mechanics was able to explain how three of the forces operate on the subatomic level.
And all of a sudden we had a consistent theory of elementary particle physics, which allows us to describe all of the interactions-- weak, strong and electromagnetic-- in the same language.
It all made sense, and, uh, it's all in the textbooks.
Everything was converging toward a simple picture of the known particles and forces-- a picture which eventually became known as the standard model.
I think I gave it that name.
(crowd cheering) EMCEE: Professors Sheldon Glashow, Abdus Salam and Steven Weinberg.
(fanfare playing) GREENE: The inventors of the standard model-- both the name and the theory-- were the toasts of the scientific community, receiving Nobel Prize after Nobel Prize.
But behind the fanfare was a glaring omission.
(fanfare playing) Although the standard model explained three of the forces that rule the world of the very small, it did not include the most familiar force.
(glass shatters) Gravity.
Overshadowed by the standard model, string theory became a backwater of physics.
VENEZIANO: Most people in our community lost complete interest in string theory.
They said, "Okay, that was a very nice, elegant thing but had nothing to do with nature."
It's not taken seriously by much of the community, but the early pioneers of string theory are convinced that they can smell reality and continue to pursue the idea.
GREENE: But the more these diehards delved into string theory, the more problems they found.
LYKKEN: Early string theory had a number of problems.
One was that it predicted a particle which we know is unphysical.
It's what's called a tachyon-- a particle that travels faster than light.
There was this discovery that the theory requires ten dimensions, which is very disturbing, of course, since it's obvious that that's more than there are.
It had this massless particle which was not seen in experiments.
So these theories didn't seem to make sense.
This seemed crazy to people.
Basically, string theory was not getting off the ground.
People threw up their hands and said, "This can't be right."
GREENE: By 1973, only a few young physicists were still wrestling with the obscure equations of string theory.
One was John Schwarz, who was busy tackling string theory's numerous problems, among them, a mysterious massless particle-- predicted by the theory but never seen in nature-- and an assortment of anomalies, or mathematical inconsistencies.
SCHWARZ: We spent a long time trying to fiddle with the theory.
We tried all sorts of ways of making the dimension be four, getting rid of these massless particles and tachyons and so on, but it was always ugly and unconvincing.
GREENE: For four years, Schwarz tried to tame the unruly equations of string theory, changing, adjusting, combining and recombining them in different ways.
But nothing worked.
On the verge of abandoning string theory, Schwarz had a brainstorm: Perhaps his equations were describing gravity.
But that meant reconsidering the size of these tiny strands of energy.
SCHWARZ: We weren't thinking about gravity up till that point, but as soon as we suggested that maybe we should be dealing with a theory of gravity, we had to radically change our view of how big these strings were.
GREENE: By supposing that strings were a hundred billion billion times smaller than an atom, one of the theory's vices became a virtue.
The mysterious particle John Schwarz had been trying to get rid of now appeared to be a graviton, the long-sought-after particle believed to transmit gravity at the quantum level.
String theory had produced the piece of the puzzle missing from the standard model.
Schwarz submitted for publication his groundbreaking new theory describing how gravity works in the subatomic world.
SCHWARZ: It seemed very obvious to us that it was right, but there was really no reaction in the community whatsoever.
GREENE: Once again, string theory fell on deaf ears.
But Schwarz would not be deterred.
He had glimpsed the Holy Grail.
If strings described gravity at the quantum level, they must be the key to unifying the four forces.
He was joined in this quest by one of the only other scientists willing to risk his career on strings, Michael Green.
GREEN: In a sense, I think, we had a quiet confidence that the string theory was obviously correct, and it didn't matter much if people didn't see it at that point.
They would see it down the line.
But for Green's confidence to pay off, he and Schwarz would have to confront the fact that in the early 1980s, string theory still had fatal flaws in the math known as "anomalies."
An anomaly is just what it sounds like: It's something that's strange or out of place, something that doesn't belong.
Now this kind of anomaly is just weird.
(phone ringing) But mathematical anomalies can spell doom for a theory of physics.
They're a little complicated, so here's a simple example: Let's say we have a theory in which these two equations... describe one physical property of our universe.
Now, if I solve this equation over here and I find x = 1, and I solve this equation over here and find x = 2, I know my theory has anomalies because there should only be one value for x.
Unless I can revise my equations to get the same value for x on both sides, the theory is dead.
(thunder in distance) In the early 1980s, string theory was riddled with mathematical anomalies kind of like these, although the equations were much more complex.
The future of the theory depended on ridding the equations of these fatal inconsistencies.
(thunder resounds and fades) After Schwarz and Green battled the anomalies in string theory for five years, their work culminated late one night in the summer of 1984.
SCHWARZ: It was widely believed that these theories must be inconsistent because of anomalies.
Well, for no really good reason, I just felt that had to be wrong, because I...
I felt string theory has got to be right, therefore there can't be anomalies.
So we decided, "We got to calculate these things."
GREENE: Amazingly, it all boiled down to a single calculation.
On one side of the blackboard, they got 496.
And if they got the matching number on the other side, it would prove string theory was free of anomalies.
GREEN: I do remember, um... a particular moment when John Schwarz and I were talking at the blackboard and working out these numbers which had to fit, and they just had to match exactly.
I remember joking with John Schwarz at that moment, because there was thunder and lightning.
There was a big mountain storm in Aspen at that moment, and I remember saying something like, you know, "We must be getting pretty close "because the gods are trying to prevent us completing this calculation."
And indeed they did match.
GREENE: The matching numbers meant the theory was free of anomalies and it had the mathematical depth to encompass all four forces.
So we recognized not only that the strings could describe gravity but they could also describe the other forces, so we spoke in terms of unification.
And we saw this as a possibility of realizing the dream that Einstein had expressed in his later years of unifying the different forces in some deeper framework.
GREEN: We felt great.
That was an extraordinary moment, because we realized that no other theory had ever succeeded in doing that.
SCHWARZ: But by now, it's like crying wolf, each time we had done something I figured everyone's going to be excited, and they weren't.
So I figured... well, by now I didn't expect much of a reaction.
GREENE: But this time, the reaction was explosive.
In less than a year, the number of string theorists leapt from just a handful to hundreds.
GREEN: Up to that moment, the longest talk I'd ever given on the subject was five minutes at some minor conference, and then suddenly I was invited all over the world to give talks and lectures and so forth.
GREENE: String theory was christened the "theory of everything."
(bell tolling) In early fall of 1984, I came here, to Oxford University, to begin my graduate studies in physics.
Some weeks after, I saw a poster for a lecture by Michael Green.
I didn't know who he was, but then again, I really didn't know who anybody was.
But the title of the lecture was something like "The Theory of Everything."
So how could I resist?
This elegant new version of string theory seemed capable of describing all the building blocks of nature.
Here's how.
Inside every grain of sand... are billions of tiny atoms.
Every atom is made of smaller bits of matter-- electrons orbiting a nucleus made of protons and neutrons-- which are made of even smaller bits of matter, called quarks.
But string theory says this is not the end of the line.
It makes the astounding claim that the particles making up everything in the universe are made of even smaller ingredients-- tiny, wiggling strands of energy that look like strings.
Each of these strings is unimaginably small.
In fact, if an atom were enlarged to the size of the solar system... a string would only be as large as a tree.
And here's the key idea: Just as different vibrational patterns, or frequencies, of a single cello string create what we hear as different musical notes, the different ways that strings vibrate give particles their unique properties, such as mass and charge.
For example, the only difference between the particles making up you and me and the particles that transmit gravity and the other forces is the way these tiny strings vibrate.
Composed of an enormous number of these oscillating strings, the universe can be thought of as a grand cosmic symphony.
And this elegant idea resolves the conflict between our jittery, unpredictable picture of space on the subatomic scale and our smooth picture of space on the large scale.
It's the jitteriness of quantum mechanics versus the gentleness of Einstein's general theory of relativity that makes it so hard to bridge the two, to stitch them together.
Now, what string theory does, it comes along and basically calms the jitters of quantum mechanics.
It spreads them out by virtue of taking the old idea of a point particle and spreading it out into a string.
So the jittery behavior is there but it's just sufficiently less violent that quantum theory and general relativity stitch together perfectly within this framework.
It's a triumph of mathematics.
With nothing but these tiny vibrating strands of energy, string theorists claim to be fulfilling Einstein's dream of uniting all forces and all matter.
But this radical new theory contains a chink in its armor.
GLASHOW: No experiment can ever check up what's going on at the distances that are being studied.
No observation can relate to these tiny distances or high energies.
That is to say, there ain't no experiment that could be done, nor is there any observation that could be made that would say "You guys are wrong."
The theory is safe, permanently safe.
Is that a theory of physics or a philosophy?
I ask you.
People often criticize string theory for saying that it's very far removed from any direct experimental test, and it's... surely it's not really, uh... a branch of physics for that reason.
And I... my response to that is simply that they're going to be proved wrong.
GREENE: Making string theory even harder to prove is that in order to work, the complex equations require something that sounds like it's straight out of science fiction: extra dimensions of space.
WOMAN: We've always thought, for centuries, that there was only what we can see, you know, this dimension, that one and another one.
There was only three dimensions of space and one of time.
And people who've said that there were extra dimensions of space have been labeled as, you know, crackpots or people who were bananas.
Well, string theory really predicts it.
GREENE: To be taken seriously, string theorists had to explain how this bizarre prediction could be true, and they claim that the far-out idea of extra dimensions may be more down to earth than you'd think.
Let me show you what I mean.
I'm off to see a guy who was one of the first people to think about this strange idea.
I'm supposed to meet him at 4:00 at his apartment on Fifth Avenue and 93rd Street on the second floor.
Now, in order to get to this meeting, I need four pieces of information, one for each of the three dimensions of space-- a street, an avenue and a floor number-- and one more for time, the fourth dimension.
You can think about these as the four dimensions of common experience-- left-right, back-forth, up-down and time.
As it turns out, the strange idea that there are additional dimensions stretches back almost a century.
Our sense that we live in a universe of three spatial dimensions really seems beyond question.
But in 1919, Theodor Kaluza, a virtually unknown German mathematician, had the courage to challenge the obvious.
He suggested that maybe, just maybe, our universe has one more dimension that for some reason we just can't see.
No, he says here, "I like your idea."
So, why does he delay?
You see, Kaluza had sent his idea about an additional spatial dimension to Albert Einstein.
And although Einstein was initially enthusiastic, he then seemed to waver and for two years held up publication of Kaluza's paper.
Eventually, Kaluza's paper was published, after Einstein decided extra dimensions were his cup of tea Here's the idea.
In 1916, Einstein showed that gravity is nothing but warps and ripples in the four familiar dimensions of space and time.
Just three years later, Kaluza proposed that electromagnetism might also be ripples.
But for that to be true, Kaluza needed a place for those ripples to occur.
So Kaluza proposed an additional hidden dimension of space.
But if Kaluza was right, where is this extra dimension?
And what would extra dimensions look like?
Can we even begin to imagine them?
Well, building upon Kaluza's work, the Swedish physicist Oskar Klein suggested an unusual answer.
Take a look at the cables supporting that traffic light.
From this far away, I can't see that they have any thickness.
Each one looks like a line, something with only a single dimension.
But suppose we could explore one of these cables way up close, like from the point of view of an ant.
Now, a second dimension, which wraps around the cable, becomes visible.
From its point of view, the ant can move forwards and backwards, and it can also move clockwise and counterclockwise.
So, dimensions can come in two varieties.
They can be long and unfurled, like the length of the cable, but they can also be tiny and curled up, like the circular direction that wraps around it.
Kaluza and Klein made the wild suggestion that the fabric of our universe might be kind of like the surface of the cable, having both big, extended dimensions-- the three that we know about-- but also tiny, curled-up dimensions, curled up so tiny, billions of times smaller than even a single atom, that we just can't see them.
And so our perception that we live in a universe with three spatial dimensions may not be correct after all.
We really may live in a universe with more dimensions than meet the eye.
So, what would these extra dimensions look like?
Kaluza and Klein proposed that if we could shrink down billions of times, we'd find one extra tiny, curled-up dimension located at every point in space.
And just the way an ant can explore the circular dimension that wraps around a traffic-light cable, in theory, an ant that is billions of times smaller could also explore this tiny, curled-up circular dimension.
This idea that extra dimensions exist all around us lies at the heart of string theory.
In fact, the mathematics of string theory demand not one but six extra dimensions, twisted and curled into complex little shapes that might look something like this.
DUFF: If string theory is right, we would have to admit that there are really more dimensions out there, and I find that completely mind-blowing.
WITTEN: If I take the theory as we have it now literally, I would conclude that the extra dimensions really exist.
They're part of nature.
LYKKEN: When we talk about extra dimensions, we literally mean extra dimensions of space that are the same as the dimensions of space that we see around us.
And the only difference between them has to do with their shape.
GREENE: But how could these tiny extra dimensions, curled up into such peculiar shapes, have any effect on our everyday world?
Well, according to string theory, shape is everything.
(playing short tune of varying tones) Because of its shape, a French horn can produce dozens of different notes.
When you press one of the keys, you change the note because you change the shape of the space inside the horn where the air resonates.
And we think the curled-up spatial dimensions in string theory work in a similar way.
If we could shrink down small enough to fly into one of these tiny six-dimensional shapes predicted by string theory, we would see how the extra dimensions are twisted and curled back on each other, influencing how strings, the fundamental ingredients of our universe, move and vibrate.
And this could be the key to solving one of nature's most profound mysteries.
You see, our universe is kind of like a finely tuned machine.
Scientists have found that there are about 20 numbers-- 20 fundamental constants of nature-- that give the universe the characteristics we see today.
These are numbers like how much an electron weighs, the strength of gravity, the electromagnetic force, and the strong and weak forces.
Now, as long as we set the dials on our universe machine to precisely the right values for each of these 20 numbers, the machine produces the universe we know and love.
But if we change the numbers by adjusting the settings on this machine even a little bit, the consequences are dramatic.
For example, if I increase the strength of the electromagnetic force, atoms repel one another more strongly, so the nuclear furnaces that make stars shine break down.
The stars, including our sun, fizzle out... and the universe as we know it disappears.
So, what exactly in nature sets the values of these 20 constants so precisely?
Well, the answer could be the extra dimensions in string theory.
That is, the tiny, curled-up six-dimensional shapes predicted by the theory cause one string to vibrate in precisely the right way to produce what we see as a photon and another string to vibrate in a different way, producing an electron.
So according to string theory, these minuscule extra-dimensional shapes really may determine all the constants of nature, keeping the cosmic symphony of strings in tune.
By the mid-1980s, string theory looked unstoppable.
But behind the scenes, the theory was in tangles.
Over the years, string theorists had been so successful that they had constructed not one but five different versions of the theory.
Each was built on strings and extra dimensions, but in detail, the five theories were not in harmony.
In some versions, strings were open-ended strands; in others, they were closed loops.
At first glance, a couple of versions even required 26 dimensions.
All five versions appeared equally valid, but which one was describing our universe?
This was kind of an embarrassment for string theorists, because on the one hand, we wanted to say that this might be it-- the final description of the universe.
But then in the next breath we had to say, "And it comes in five flavors, five variations."
Now, there's one universe, you expect there to be one theory and not five.
So this is an example where more is definitely less.
One attitude that people who didn't like string theory could take was "Well, you have five theories, so it's not unique."
This was a peculiar state of affairs, because we were looking just to describe one theory of nature and not five.
If there's five of them, well, maybe there's... smart enough people would find 20 of them, or maybe there's an infinite number of them, and you're back to just searching around at random for... for theories of the world.
Maybe one of these five string theories is describing our universe.
On the other hand, which one?
And why... what are the other ones good for?
But having five string theories, even though it's big progress, raises the obvious question: If one of those theories describes our universe, then who lives in the other four worlds?
GREENE: String theory seemed to be losing steam once again, and frustrated by a lack of progress, many physicists abandoned the field.
Will string theory prove to be a theory of everything, or will it unravel into a theory of nothing?
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Captioned by Media Access Group at WGBH access.wgbh.org
Funding for NOVA is provided by David H. Koch, the Corporation for Public Broadcasting and PBS viewers. Original funding provided by Microsoft, Sprint, the Park Foundation, the National Science Foundation,...